The
following lists all LZ’s compositions and publications during his
lifetime—concluding with 80 Flowers
and the complete edition of “A”. In
the publications column, within each year, works are subdivided into three
groupings: books or other individual publications, journal publications, and
anthology publications; and within each of these groupings, publications have
been arranged as much are as possible in chronological order based on available
information.
This
information is primarily indebted to Celia Zukofsky’s A Bibliography of Louis Zukofsky (1969), with updates included in
the “Year by Year Bibliography of Louis Zukofsky” (Terrell 1979). Additional
information, particularly specific composition dates, is supplied by Booth
(1975), Henderson (1987) and Leggott (1989); see Note on
Composition Dates. Additional information, especially for
publications subsequent to CZ’s Bibliography,
is thanks to Mark Scroggins.
The
following abbreviations have been used for book publications: 29P = 29 Poems and 29S = 29 Songs (both in 55 Poems, 1941), Anew = Anew (1946), ST = Some Time (1956), BW = Barely
and widely (1958), I’s = I’s (pronounced eyes) (1963), AI’s = After I’s (1964), Prep = Prepositions
(1967), Prep exp ed. = Prepositions, expanded edition (1981); Prep+ = Prepositions+ (2001), DP = Discarded Poems (in Terrell 1979), CF = Collected
Fiction.
For a
list with basic information on the journals and presses who published LZ, click here.
Compositions
Publications
1920
The
First Season by
“Dunn Wyth.” (c. 1920-1928) [collection of early poems; none published except
for “I Sent Thee Late” in “A”-18]
1920
“Dawn After Storm,” Varsity (Nov.).
“Monody,” The Morningside 9.2 (Nov.): 38.
“Youth,” The Morningside 9.3 (Dec.): 99.
1921
1921
“Walking Down the White
Sand Street of Kamakura,“ The Morningside
9.4 (Jan.).
“Undulations,” The Morningside 9.5 (Feb.).
“Sea-Nymph’s Prayer to
Okeanos,” Varsity (Feb.): 8.
“The Faun Sees,” The Morningside 9.7 (April): 239; Pagan (Aug.-Sept.).
“Mood,” Pagan (Oct.-Nov.).
“Earth Counts a Day” [a
play], The Morningside 10.1 (Nov.):
1-8.
“Louis XIV Chamber”; “The
Mystic Song,” The Morningside 10.2
(Dec.): 42.
1922
Vast, tremulous [I Sent
Thee Late]
1922
“Autumn Sunrise,” The Morningside 10.3 (Feb.): 157.
“Sun and Rainbow,” The Morningside 10.4 (March).
“Autumn Sunrise”;
“Moments”; “Spare Us of Dying Beauty”; “Louis XIV Chamber”; “The Mystic
Song,” The Morningside 10.5-6
(April-May): 157-158.
“Autumn Sunrise,” The Philadelphia Public Ledger (7
Oct.).
“An Immortality,” The Morningside 11.1 (Nov.): 10.
1923
The movement of clouds
have not a mind’s precision (3 May) [DP]
A Parable of Time
(Summer?)
No sound, but sun (16
Aug.)
What shall I do for
money, my friend (17 Sept.) [DP]
Their shapely throats
breathe as of song (22 Nov.) [DP]
tam
cari capitis (27
Nov.) [29P 24]
Would what oppresses a
night (23 Dec.) [DP]
Seeing, the eyes [DP]
1923
“An Immortality,” The Forum 69.2 (Feb.).
“This Earth”; “Glamour” Rhythmus 1.3 (March).
“Youth’s Ballad of
Singleness”; “Vision”; “Reflections,” The
Morningside 12.3-4 (March-April): 47-48.
“Louis XIV Chamber,” Voices 2.5 (Aug.-Sept.).
1924
Not much more than being
(24 Jan.) [29P 2]
Millennium of sun– (22
Feb.) [29P 12]
Henry Adams: A Criticism
in Autobiography (original version 7 May)
The people change and the
birds in the air (25 May) [DP]
Tall and singularly dark
you pass among the breakers– (6 July) [29P
18]
All the stars have filled
the heavens (6 July)
It is well on this June
night (7 July)
Always the May-day sun
(17 Aug.)
September among the
headstones (21 Sept.)
Cars once steel and
green, now old (29 Dec.) [29P 17]
1924
“Of Dying Beauty,” Poetry 23.4 (Jan.): 197.
“The Seer”, “Sun and
Rainbow,” “Louis XIV Chamber.” Columbia
Verse: An Anthology of Verse Published in Undergraduate Magazines of Columbia
University from 1897-1924, ed. Cargill Sprietsma (NY: Columbia UP).
1925
Ferry (16 Jan.) [29P 5]
Comes a day when the
round tracts of sky (18 Feb.)
Passing tall (12 April) [29P 10]
And looking to where
shone Orion (28 April) [29P 15]
And they rest: the
manifold light rays— (15-16 June) [DP]
Constellation: Memory of
V.I. Ulianov (3 Aug.) [29P 1]
Play lost, banjos! Across
the areas of ocean’s flowing (23 Aug.)
The sun—sign on the wave
(6 Sept.)
Aubade, 1925 (24 Sept.) [29P 16]
(The Sadness After)
(Fall)
Run on, you still dead to
the sound of a name (15 Oct.) [29P
19]
Across the smoke, over
all past living (17 Oct.)
And about these lights,
they arethe lights (8 Nov.)
Close your eyes (21 Dec.)
[29P 20]
O sleep, the sky goes
down behind the poplars (21 Dec.) [29P
21]
1925
“A Parable of Time,” Two Worlds 1.1 (Sept.): 56.
“The Sadness After,” Two Worlds 1.2 (Dec.): 126.
1926
Like the oceans, or the
leaves of fine Southern (Jan.) [29P
25]
We are crossing the
bridge now (10 Jan.) [29P 13]
And the strong men shall
bow themselves, and the grinders (27 Jan)
During the Passaic Strike
of 1926 (18 April) [29P 7]
Stubbing the
cloud-fields—the searchlight, high (3 May) [29P 11]
(I Wait for the Train)
(10 May)
(For a Thing by Bach) (14
June)
How many / Times round
(19 July) [29P 6]
Only water– (30 Aug.) [29P 14]
A Preface (dated 17 Oct.)
[for unpublished sequence “18 Poems to the Future”]
Poem beginning “The” [55 Poems]
1926
“February 18, 1925,” The Lavender 3.6 (Jan.).
1927
Song Theme (26 Jan.) [29P 23]
(Spinoza in a Winter
Season) (26 Jan.)
What are these
smoke-stacks (26 Jan.)
My watch (7 March)
“He Came Also Still” (9
March)
The silence of the good
that you were wrought of (10 March)
O lowering belts (14
March)
Someone said, “earth,
bowed with her head, we mourn” (15 March)
During lunch hour I shall
stretch opposite (15 March)
And human heat-beats;
star-falling, engine-beats (8 April)
Critique of Antheil
(April)
A dying away as of trees
(19 April) [29P 9]
(Awake) / Propped on the
earth (28 April)
(These States 1927)
[Preface 1927] (dated 11 July)
Autumn, then autumn—what
of it (13 Sept.)
N.Y. 1927 (13 Sept.)
Mr. Cummings and the
Delectable Mountains (Review of E.E. Cumming’s Him) [“Him” in Prep]
1927
1928
Cactus rose-mauve and
gray, twin overturned (29 Jan.) [29P
22]
Postscript to Henry
Adams: A Criticism in Autobiography (21 April) [Prep]
“A”-1
Ask of the sun (2 June) [29P 26]
Finer was the dead
artist’s hand (2 June)
Cocktails (7 June) [29P 3]
Beginning Again with
William Carlos Williams (postscript to Henry Adams) (9 Oct.) [Prep]
“A”-2 (10 Oct.)
And to paradise which is
a port (29 Oct.) [29P 8]
O autumn fields, if we
should break, beyond (31 Oct.)
Blue light is the night
harbor-slip (1 Nov.) [29P 27]
Buoy—no, how (1 Nov.) [29P 4]
1928
“Poem beginning ‘The,’” The Exile 3 (Spring): 7-27.
“Mr. Cummings and the
Delectable Mountains”; “Preface—1927”; “Critique of Antheil”; “Constellation:
In Memory of V.I. Ulianov”; “A
Preface,” The Exile 4 (Autumn):
75-88.
“tam cari capitis”; “Song
Theme”; “Someone said, ‘earth’”; “The silence of the good,” The Dial 85.6 (Dec.): 458-459.
1929
Two Dedications: D.R. (2
Feb.) [29P 29]
Two Dedications: Tibor
Serly (5 Feb.) [29P 28]
“A” 3-4 (11 July)
Henry Adams: A Criticism
in Autobiography (Hound & Horn
version 14 Aug.)
Ezra Pound: His Cantos
(original version 10 Aug.) [Prep]
“A”-5 (9 Sept.)
1929
“No sound. But Sun”;
“Millennium of sun—,” Blues 1.1
(Feb.): 19.
“Cocktails and signs of
‘ads,’” Transition 15 (Feb): 125.
“Across the smoke, over
all past living”; “’And the strong men shall bow themselves’”; “And about
these lights (East Rockaway, L.I.),” Blues
1.2 (March): 43-44.
“(Spinoza in a Winter
Season)”; “September among the headstones,” The Criterion 8.32 (April): 420-421.
“Autumn, then autumn,
what of it?”; “Finer was the dead artist’s hand”; “And to paradise which is a
port”; “O autumn fields, if we should break” Blues 1.4 (May): 93-94.
“Siren and Signal”
[sequence including “’He came also still’”; “All the stars have filled the
heavens”; “Play lost banjos”; “North River Ferry” [Ferry]; “Cars once steel and green”; “Comes a day when the round
tracts of sky”; “During lunch hour”], Poetry
34.3 (June): 146-149.
1930
Sincerity and
Objectification I-V (4 Feb.) [Prep]
Words by William Carlos
Williams Re-Written by LZ (16 Feb.) [included in An “Objectivist” Anthology]
American Poetry 1920-1930
(2 June) [Prep]
“A”-7 (4-7 Aug.)
“A”-6 (12-16 Aug.)
Ezra Pound XXX Cantos (7
Sept.)
Imagisme (Review of René
Taupin’s L’Influence de Symbolisme sur
la Poésie Américaine de 1920 à 1920)[two paragraphs extracted as “Influence” and “Poetic Values” in Prep]
1930
Translation
of Anton Reiser’s Albert Einstein. NY: A. & C. Boni [LZ
requested his name not appear].
“Cactus, rose-mauve and
gray,” Pagany 1.1 (Jan.-March): 79.
Four Poems (1926-1927)
[“My watch! / Star-darkness”; “A dying away as of trees”; “And human
heart-beats”; “(I wait for the train),” Blues
8 (Spring): 14-15.
Three Poems (1924-1926)
[“It is well in this June night”; “And looking to where shone Orion”; “Only
water,” Pagany 1.2 (April-June):
21-22.
“Henry Adams: A Criticism
in Autobiography—part I,” Hound &
Horn 3.3 (April-June): 333-357.
“Henry Adams: A Criticism
in Autobiography—part II,” Hound & Horn
3.4 (July-Sept.): 518-530.
Group from Ten Poems
(1924-26) [I: “Not much more than being”; III: “Always the May-day sun”; VI:
“The sun— / sign on the wave”; “Tibor Serly (from Two Dedications),” Blues
9 (Fall): 40-43.
“For a Thing by Bach,” Pagany 1.4 (Oct.-Dec.): 23.
“Henry Adams: A Criticism
in Autobiography—part III,” Hound &
Horn 4.1 (Oct.-Dec.): 46-72.
“Poem” [“Ask of the
Sun”], Front 1 (Dec.): 31.
“Dedication—D.R.,” Morada 5 (Dec.): 14-15.
1931
Program “Objectivists”
1931 [Prep]
Review of Basil Bunting, Redimiculum Matellarum (Feb.)
Madison, Wis.,
remembering the bloom of Monticello (1 March) [29S 1]
Prop. LXI (16 April) [29S 3]
Train-Signal (26 May) [29S 4]
Happier, happier, now (30
Nov.) [29S 8]
“Recencies” in Poetry
(dated 19 Aug.) [Prep]
—“her soil’s birth” (22
Aug.) [29S 6]
The Gathering (Nov.)
[trans. from Apollinaire] [DP]
Immature Pebbles [29S 2]
1931
“American Poetry
1920-1930,” The Symposium 2.1
(Jan.): 60-84.
“A” (Seventh Movement);
“University: Old Time” [as JoyceHopkins]; “Program: ‘Objectivists’ 1931”; “Sincerity and
Objectification” I, II, III; Note to Symposium by Parker Tyler and Charles
Henri Ford; Translation of René Taupin, “Three Poems by André Salmon”—I, Poetry 37.5 (Feb.): 242-246, 268-285,
287-288, 289-293 [“Objectivists” issue].
“Aubade 1925”; “Beginning
again with William Carlos Williams” (Postscript to “Henry Adams”), Hound & Horn 4.2 (Jan.-March):
229-230, 261-264.
Four Poems (1924-1928)
[“Buoy—no, how”; “(Awake!) / Propped on the earth”; “Tall and singularly dark
you pass among the breakers—”; “Passing tall,” Pagany 2.1 (Jan.-March): 89-90.
Translation of René
Taupin, “Three Poems by André Salmon”—II, Poetry
37.6 (March): 333-339.
“The February Number”
(reply to Stanley Burnshaw), Poetry
38.1 (April): 55-57 [with Burnshaw’s letter responding to the “Objectivists”
issue].
“The Cantos of Ezra Pound
(one section of a long essay),” The
Criterion 10.40 (April): 424-440.
“Cantos di Ezra Pound.” L’Indice (Genoa) (10 & 25 April,
10 May 1931) [trans. Emanuel Carnevali].
“Poems (1927) 1 and 2”
[“What are these smoke-stacks”; ”O lowering belts”], TheLeft 1.1 (Spring): 40.
“N.Y. 1927”; Review of R.
Hillyer, The Gates of the Compass,
L. Speyer, Naked Heel & K.T.
Young, Ten Poems, Nativity 2 (Spring): 20.
“Blue light,” Pagany 2.2 (April-June): 79.
“’A’: third and fourth
movements, ‘out of the voices’”; “Imagism” (review of René Taupin, Poésie Américaine), The New Review 2 (May-June-July):
83-88, 160-161.
“’London or Troy?’
‘Adest’” (review of Basil Bunting, Redimiculum
Matellarum), Poetry 38.3
(June): 160-162.
“Ezra Pound’s XXX
Cantos,” Front 4 (June): 364-367.
“Completely and accurately” (review of The Poems of Wilfred Owen), The N.Y. Sun (10 Oct.): 13.
“(Train-Signal),” Pagany 2.4 (Oct.-Dec.): 80.
1932
Who endure days like this
(9 April) [29S 7]
The
Writing of Guillaume Apollinaire (completed 19 April)
In Arizona (28 April) [29S 9]
Arizona (29 April) [29S 10]
The water lifted me (with
Jerry Reisman & George Oppen) (10 May) [DP]
It’s a gay li – ife (26
May) [29S 5]
Song 11: And the least
see (27 May) [DP]
After “Les Collines”
(with Jerry Reisman) (27 May) [An
“Objectivists” Anthology]
Whatever makes this
happening (20 June) [29S 12]
in that this happening
(22 June) [29S 13]
Thanks
to the Dictionary
(begun July) [CF]
The sand: For the
cigarette finished (3 Aug.) [29S
14]
Do not leave me (15 Aug.)
[29S 15]
Crickets’ / thickets (15
Aug.) [29S 16]
Imitation (10 Nov.) [29S 17]
The mirror oval sabers
playing (28 Nov.) [29S 18]
No One Inn (1 Dec.) [29S 25]
Ears beringed with fuzz
(5 Dec.) [29S 20]
Snows’ night’s winds on
the window rattling (13 Dec.) [29S
21]
To my wash-stand (13
Dec.) [29S 22]
1932
An
“Objectivists” Anthology,
ed. LZ. Le Beausset, France and NY: To Publ. (Summer). [includes “Preface:
’Recencies’ in Poetry,” “A” 1-7, “—Her Soil’s Birth,” “Prop. LXI,” “Madison,
Wis., Remembering the Bloom of Monticello (1931),” “Program: ‘Objectivists’
1931,” collaborations with Kenneth Rexroth, Jerry Reisman, R.B.N. Warriston
and WCW].
Translation of René
Taupin, “The Classicism of T.S. Eliot,” The
Symposium 3.1 (Jan.): 64-82.
“(Ferry)”; “Madison,
Wis., Remembering the bloom of Monticello (1931),” Contact 1.1 (Feb.): 40-42.
“It’s a gay li – ife,” Contempo 1.21 (1 April): 2.
“in that this happening”
(with Latin translation by Basil Bunting), Il Mare (1 Oct.).
“The Open Mind:
Physiology and a Poem,” The Lion &
Crown 1.1 (Fall): 40-42 [Published as “Anonymous”; a short essay without
any poem but with note suggesting it was submitted by LZ on behalf of a
student, although later hand-written note indicates dictated by LZ to Jerry
Reisman].
“Objectivists Again,” Poetry 42.2 (May): 117 [letter to the
editor replying to Morris U. Schappes’ review of An “Objectivists” Anthology in Poetry 41.6 (March 1933) with brief response by Schappes
117-118].
“A Further Note on XXX
Cantos by Ezra Pound,” The Windsor
Quarterly 1.1 (Spring): 88-94.
“mirror fugue to ‘The
Gnat’ by Carl Rakosi,” The Windsor
Quarterly 1.2 (Summer): 138-139.
“Song 19,” Pesti Naplo
(13 Aug.): 37 [included in English with an interview translated into
Hungarian (see Misc. Writings)].
“Song 29,” Poetry 42.6 (Sept.): 312.
“The Writing of Guillaume
Apollinaire: Le Flâneur, (I)—Il y a” (with René Taupin), The Westminster Magazine 22.4
(Winter): 9-50.
“Poem beginning ‘The’”,
from “A” 5th & 6th movements,
“A Further Note on [EP’s] XXX Cantos. Active Anthology, ed. EP. London: Faber & Faber (12 Oct.).
111-153, 247.
1934
“Specifically, a writer
of music” (24 Feb.) [29S 28]
“The Immediate Aim” (7
March) [29S 23]
Sequence from “The
Writing of Guillaume Apollinaire” (1 April) [selection of brief translations
from Apollinaire]
Alba [Alba, 1952] (original
version 1 May)
“Mantis” (27 Oct.) [55 Poems]
“Mantis,”
An Interpretation
(dated 4 Nov.) [55 Poems]
1934
Le
Style Apollinaire,
trans. René Taupin. Paris: Les Presses Modernes.
“Ezra Pound: His Cantos,
parts I & II,” The Observer
(Memphis, TN) 2.2 (Jan.-Feb.): 3-4, 8.
“The Writing of Guillaume
Apollinaire: (II)—Le Poète Ressuscité, (III)—& Cie” (with René
Taupin), The Westminster Magazine
23.1 (Spring): 7-46.
“Sequence from ‘The
Writing of Guillaume Apollinaire,’” The
Columbia Review 15.4 (May).
“How many / times round /
deck,” Negro Anthology of 1931-1933,
ed. Nancy Cunard. London: Wishart & Co. (16 Feb.).
“Tibor Serly (from Two
Dedications),” “Madison, Wis., Remembering the Bloom of Monticello
(1931).” Modern Things, ed. Parker
Tyler. NY: The Galleon Press (Sept.). 73-75
1935
“Further than”— (20 Jan.)
[55 Poems]
A madrigal for 3 voices
(27-28 Feb.) [Anew 27]
“A”-8 (begun 5 Aug.)
A
Test of Poetry
(begun)
Review of Lewis Carroll’s
Russian Journal and Other Works
[“Lewis Carroll” in Prep]
1935
“‘Mantis,’” Poetry 45.6 (March): 320-321.
from 29 Songs
[“Home for Aged Bomb Throwers”; “American Bank-Note Factory”; “A Junction”;
“Song ¾ time”], Bozart-Westminster
8.1/24.1 (Spring-Summer): 28-30.
“Review of Lewis
Carroll’s Russian Journal,” New Masses 17.2 (8 Oct.): 24.
1936
Arise,
Arise
(original version 27 Jan.; revised 27 June)
Modern Times (18 March) [Prep]
A
Test of Poetry
(cont.)
1936
“‘Mantis’”; ”‘Mantis,’ an
Interpretation.” New Directions in
Prose and Poetry, ed. James Laughlin IV. Norfolk, CT: New Directions.
167-175.
1937
Motet (15 Jan.) [I’s]
che
di lor suona su nella tua vita (4 Feb.) [Anew 1]
One lutenist played look (2 March) [Anew 2]
“A”-8 (revised and
completed 14 July)
The green plant grows (2
Dec.) [Anew 3]
1937
“The Labor Process (from “A”-8),”
New Masses 24.5 (27 July): 16.
“Trio for Workers”
[Madrigal for 3 voices]. Contemporary
American Men Poets: An Anthology of Verse by 459 Living Poets, ed. Thomas
Del Vecchio (NY: Henry Harrison). 141.
“Aubade: 1925,” “Ferry”
[“How many / Times”], “Madison, Wis., Remembering the Bloom of Monticello
(1931),” “Constellation (Memory of V.I. Ulianov),” “Poem” [“And looking to
where shone Orion”], “Poem: Train Signal” [“With stars past troughs”]. Poetry Out of Wisconsin, eds. August
Dereth & Raymond E.F. Larsson (NY: Henry Harrison Poetry Publ.). 310-314.
1938
So sounds grass, and if
it is sun or no sun (27-28 Feb.) [Anew
4]
Ah spring, when with a
thaw of blue (2 March) [Anew 5]
Anew, sun, to fire summer
(1-4 Aug.) [Anew 6]
“A”-9, first half (begun,
9 Aug.)
“Aids” and restatement
for The First Half of “A”-9 (begun,
9-21 Aug.)
American Ironwork
1585-1856 (27 Aug.) [Useful Art]
When the crickets (28
Aug.) [Anew 7]
Chalkware (26 Sept.) [Useful Art]
Glad they were there (22
Nov.) [Anew 29]
Has the sum (5 Dec.) [Anew 8]
For you I have emptied
the meaning (6 Dec.) [Anew 9]
What are these songs (6
Dec.) [Anew 10]
A
Test of Poetry
(cont.)
1938
“March Comrades (from
“A”-8),” New Masses 27.6 (3 May):
14.
“A”-8. New Directions 1938, ed. James
Laughlin (Norfolk, CT: New Directions): 93-149.
In the midst of things
(revised 29 March) [Anew 11]
Ferdinand (completed 17 June)
“A” 1-6 (revised 19
July-6 Aug.)
Dometer Guczul (12 Aug.)
[Prep]
Can a mote of sunlight
defeat its purpose (15 Sept.) [Anew
21]
“One oak fool box”; —the
pun (2 Dec.) [Anew 14]
The need to have you (16
Dec.) [trans. from Alain Bosquet]
A
marriage song for Florence and Harry (30-31 Dec.) [Anew
30]
1942
“1892-1941,” Poetry 59.6 (Sept.): 314-315.
From Anew [“Ben Jonson [One lutenist played look],” “Ah,
Spring,” “When the crickets,” “Glad they were there,” “The rains, the rains,”
“What I did not say (or a Valentine)”]. Calendar:
An Anthology of 1942 Poetry. Ed. Norman MacLeod. Prairie City, IL: The
Press of James A. Decker. 32-34.
1943
To Begin Again With Your
Body (2 Feb.) [trans. from Alain Bosquet] [DP]
After Charles Sedley (14
Feb.) [Anew 41]
Light 3: Because Tarzan
triumphs (31 March-3 April) [ST]
Light 12: R.A.E. (1
April) [ST]
You three: —my wife (27
May) [Anew 42]
To my baby Paul (23 Oct.)
[Anew 43]
Basic
(26
Nov.) [Prep]
Light 7: With passion for
a baby (1 Dec.) [ST]
Light 5: Wire home (1-6
Dec.) [ST]
Light 1: (completed 1944)
[ST]
To Go On [trans. from
Alain Bosquet] [DP]
1943
“from Anew” [A
last cigarette / a companion], The Old
Line 12.6 (April): 19.
“The Need to Have You”
(translation of Alain Bosquet), View
1.3 (April): 22.
“Dometer Guczul,” View 3.3 (Fall): 87-88, 95.
Basic (a report on Ogden &
Richards, Basic English). NY: Hazeltine
Electronics Corp. (Dec.).
1944
Sequence 1944-6 1: I look
at the pines on the hillside (16 Jan.) [ST]
It’s hard to see but
think of a sea (17 Jan.) [Anew 12]
Even if love convey
(20-21 Feb.) [Anew 32]
The Letter of Poor Birds
(1-5 March) [Anew 34]
for Zadkine (7 May) [Anew 25]
I walk in the old street
(29 May-22 June) [Anew 16]
1944
“Pluck the Cascade”
(translation of Alain Bosquet), Maryland
Quarterly 1: 19.
1945
Sequence 1944-6 2: But
lose patience (original version 13 Feb.) [ST]
Light 4 (3 April) [ST]
A Song for the Year’s End
2 (16 April) [ST]
Poetry/For My Son When He
Can Read (May, finished 22 Dec.) [Prep]
Sequence 1944-6 4: Having
outlived self-offense (original version 2-3 Sept.) [ST]
Sequence 1944-6 3: Heart
too human (original version 7-8 Sept.) [ST]
A Song for the Year’s End
1 (30 Sept.) [ST]
1945
1946
A Song for the Year’s End
3: I look at the pines (14 Feb.) [ST]
Anew. Prairie City, IL: The
Press of James A. Decker (March).
“To his own hurt” [“A
Song for the Year’s End”: “Daughter of Music”; “I shall go back to my
mother’s grave”; “Because he was crying”], Yale Poetry Review 5 (Autumn): 25-26.
“A Note on the Work of
William Carlos Williams,” Briarcliff
Quarterly 3.11 (Oct.): 198-201 [concluding section of “American Poetry
1920-1930”].
1947
Sequence 1944-6 2, 3, 4
(revised 4 March) [ST]
Bottom:
on Shakespeare
(begun Summer; Preface 8 Sept.)
Michtam 1: Les-Wiat, from
Caul Gate (22 Aug.) [ST]
Review of Vivienne Koch’s
William Carlos Williams (19 March)
And
Without (1
April) [ST]
Perch
Less (2
June) [ST]
“A”-9, second half (completed 18 Aug.)
Little
Baron Snorck,
chapters 1-8 (completed 12 Nov.) [Little]
You Are Old Dr. Gluillens
(12-15 Nov.) [Little]
Air (24 Dec.) [ST]
Bottom:
on Shakespeare
(cont.)
1950
“Poetry in a Modern Age”
(review of Vivienne Koch, William
Carlos Williams), Poetry 76.3
(June): 177-180 [incorporates “An Old Note on Williams Carlos Williams’].
“Some Time” (“Chloride Of
Lime and Charcoal I”; “Non Ti Fidar”; “Some time has gone”), Botteghe Oscure 5: 375-380.
“Xenophanes,” New Mexico Quarterly 20.2 (Summer):
209-210.
Ferdinand (first half), Quarterly Review of Literature 5.3:
255-292.
Ferdinand (second half), Quarterly Review of Literature 5.4:
373-400.
“As to How Much,” Imagi 13, 17.
1951
Pamphylian (22-23 Jan.) [ST]
To My Valentines (13
Feb.) [ST]
“A”-11 (11 April-12 May)
“A”-12 (22 June-19 Oct.)
Review of George
Santayana’s Dominations and Powers
[“Effacement ofPhilosophy” in Prep]
Bottom:
on Shakespeare
(cont.)
1951
“Air,” Tomorrow 10.9 (May): 41.
“Day that passes,” Tomorrow 10.10 (June): 17.
“Perch Less,” New Mexico Quarterly 21.2 (Summer):
225.
“A”-11, Botteghe Oscure 8: 326-327.
1952
On Valentine’s Day to Friends
(28 Jan.) [ST]
Old (10-11 May) [ST]
Alba (1952) (revised 17
May, 12 Aug.) [ST]
Spook’s Sabbath, Five
Bowings (6-15 July) [ST]
Bottom:
on Shakespeare
(cont.)
1952
A
Test of Poetry
[English edn]. London: Routledge & Kegan Paul (Sept.).
SONGS OF DEGREES 1: With
a Valentine (the 12 February) (12 Feb.) [ST]
SONGS OF DEGREES 2: With
a Valentine (the 14 February) (14 Feb.) [ST]
SONGS OF DEGREES 3: ‘Nor
did the prophet’ (original version 28 July) [ST]
The Judge and The Bird
(23 Oct.-3 Nov.) [ST]
All of December Toward
New Year’s (21 Dec.) [ST]
H.T. (27 Dec.) [ST]
Bottom:
on Shakespeare
(cont.)
1953
“Love speaks” [last 3
strophes of the Second Half of “A”-9]; “The Effacement of Philosophy” (review
of George Santayana, Dominations and
Powers), Montevallo Review 1.4
(Summer): 44, 62-64.
Preface and Part I of Bottom: on Shakespeare, New Directions 14, ed. James Laughlin
(NY: New Directions): 288-307.
1954
Bottom:
on Shakespeare
(Part Two, section 1, 1 Jan.)
SONGS OF DEGREES 4:
Happiest February (13 Feb.) [ST]
It was (revised 19 March)
SONGS OF DEGREES 5:
William Carlos Williams alive! (30 Aug.) [ST]
1954
from “A”-12, The Beloit Poetry Journal 5.1 (Fall):
1-3.
“The Judge and the Bird,”
Poetry 85.2 (Nov.): 74-76.
1955
SONGS OF DEGREES 6: A
wish (17 Jan.) [ST]
SONGS OF DEGREES 3: ‘Nor
did the prophet’ (revised 21 Jan.) [ST]
SONGS OF DEGREES 7: March
first (2-5 March) [ST]
The Guests (21 Aug.) [ST]
Shang Cup (5 Nov.) [ST]
Claims (5-6 Nov.) [ST]
The Laws Can Say (5-6
Nov.) [ST]
An Incident (16 Nov.) [ST]
Bottom:
on Shakespeare
(cont.)
1955
from “A”-12, Black Mt. Review 2.5 (Summer): 52-53.
from Bottom: on Shakespeare [“Shakespeare’s theme”], The Pound Newsletter 8 (Oct.): 18.
1956
The Record (6 Feb.) [ST]
Barely / and / widely / love (30 March) [BW]
Preface to Jonathan
Williams, Amen/Huzza/Selah (7
April)
This is after all
vacation (19-20 June) [BW 1]
You who were made for
this music (19-21 June) [BW 2]
Bottom:
on Shakespeare
(cont.)
1956
Some
Time.
Stuttgart, Germany: Jonathan Williams (Sept.).
“The Guests,” Poetry 87.6 (March): 346-348.
“The Summing Up,” The Pound Newsletter 10 (April): 3
[brief note on EP].
“Songs of Degrees”; from Bottom: on Shakespeare Part Two
[“Music’s Master”] (including CZ’s “Gower Chorus” from Act 1 of Pericles), Black Mt. Review 6 (Spring): 15-25, 119-157.
“All of December toward
New Year’s”; “Reading and Talking”; from “A”-12, The Quarterly Review of Literature 8.3: 190-198.
Bottom:
on Shakespeare
Part Two [“The Object is simple”], Black
Mt. Review 7 (Autumn): 95-133.
“Barely and widely,” Ark
3 (Winter): 3-4.
“Catullus 8.” Latin Poetry in Verse Translation, ed.
L.R. Lind. Boston: Houghton Mifflin/Riverside. 30.
1958
Catullus 1, 2, 2a, 3, 4, 5 (begun
8 Feb.)
This year (22 Feb.) [BW 8]
Ashtray (3 April) [BW 9]
Another Ashtray (8 April)
[BW 10]
Forward [5 Statement on Poetry] (9 May)
William Carlos Williams:
A Citation (20 May) [Prep]
Head Lines (13 July) [BW 11]
4 Other Countries
(completed 1 Sept.) [BW 12]
Bottom:
on Shakespeare
(cont.)
1958
5
Statements for Poetry.
San Francisco: SF State College (25 June).
Barely
and widely. NY:
Celia Zukofsky (Sept.) [limited ed.].
“The Heights,” The Colorado Review 2 (Spring): 7.
“What I Come To Do Is
Partial” (review of Robert Creeley, The
Whip), Poetry 92.2 (May):
110-112.
“The Best Human Value (A
Citation for William Carlos Williams),” The
Nation 186.22 (31 May): 500-502.
Two from Barely and widely, Poetry 92.3 (June): 133-138
[“Stratford-on-Avon” & “This year”].
“Strange.” 14 Poets, 1 Artist (Jargon 31). NY: Jonathan Williams,
Publisher (12-14 Dec.) [loose-leaf collection of poems handwritten by the
poets with drawings by unidentified artist; also includes poems by Ginsberg,
Blackburn, Levertov, Jonathan Williams, Bob Brown Walter Lowenfels, Paul
Goodman, Edward Dahlberg].
1959
I’s (pronounced eyes): Hi, Kuh (15 Jan.) [I’s]
Homage (17 Jan.) [I’s]
I’s (pronounced eyes): Fiddler Age Nine (5 Feb.) [I’s]
1959 Valentine (6-7 Feb.)
[I’s]
To Friends, for Good
Health (28 Feb.-2 March) [I’s]
Wire (1-2 March) [I’s]
Peri Poietikes (27 March)
[I’s]
Little
(outline
for chapters 9-35, 29 March)
I’s (pronounced eyes): Red azaleas (2 May) [I’s]
I’s (pronounced eyes): HARBOR, FOR, Angelo & SEVEN
DAYS A WEEK (13 June) [I’s]
Her Face the Book of—Love
Delights in—Praises (18-19 June) [I’s]
“To Friends, For Good
Health”; from “Thanks to the Dictionary,” Combustion
10 (May): 6, 8-9.
“Three from Gaius
Valerius Catullus” (with CZ) [Catullus
1-3], Poetry 94.3 (June): 148-149.
“The Heights”; “Air,” Brooklyn Heights Press (18 June).
From “A”-12, Return (Aug.).
From “A”-12, Return 4 (Fall).
“Peri Poietikes,” The Nation 189.15 (7 Nov.): 336.
“A Valentine (This / is /
not)”; “The Green Leaf,” Neon 4:
15-16.
1960
Julia’s Wild (13 Jan.) [Bottom]
Bottom:
on Shakespeare
(completed 8 May)
I’s (pronounced eyes): AZURE (23 May) [I’s]
“A”-13 partita (23 Sept.)
Catullus 6-9, 8 (31 Oct.)
(Ryokan’s scroll) (16
Dec.) [I’s]
1960
From “A”-4, “A”-8,
“A”-12, The Galley Sail Review 5
[2.1] (Winter 1959/60): 8-10.
Choice of Favorites, Poetry Pilot (The Academy of American
Poets) (Jan.): 4-14 [selection of passages appearing throughout LZ’s work
adapted/translated from Shakespeare, Homer, Xenophanes, Catullus, Lucretius, Guillaume de
Machault, Spinoza and Psalms 16; see full contents here].
“A Preface?” Jonathan
Williams. Amen/Huzza/Selah. Karlsruhe-Durlach, Germany: Jargon (Summer).
From Bottom: on Shakespeare [“Ember eves” & “Z”], Poetry 97.3 (Dec.): 141-152.
1961
Daruma (27 Oct.) [AI’s]
Catullus 10-17, 21-50
Bottom, a weaver [Prep]
Translating Catullus (LZ
& CZ) [Prep+]
1961
It
Was.
Kyoto, Japan: Origin Press (Nov.) [includes “It Was,” “A Keystone Comedy,”
“Ferdinand” & “Thanks to the Dictionary’].
“Hill,” San Francisco Review 1.8 (March): 78.
“A”-13, partita i &
ii; “(Ryokan’s scroll)”; Catullus
VI & VII (with CZ); L.Z. letters to Cid Corman (7/11//60, 8/13/60,
8/25/60); from Bottom: on Shakespeare
[from Part Two 67-77], Origin 1,
second series (April): 1-30, 44-63.
from Bottom: on Shakespeare [Part Two 77-94], Origin 2, second series (July): 34-62.
“A”-13, partita iii, Origin 3, second series (Oct.): 1-14.
“The green leaf,” The Albuquerque Review 1.15 (28 Dec.).
The Old Poet Moves to a
New Apartment 14 Times (22-26 Feb.; begun 25 Nov. 1960) [AI’s]
Atque in Perpetuum A.W.
(21 June) [AI’s]
The (21 June) [AI’s]
Pretty (25 June) [AI’s]
The Ways (2 July) [AI’s]
Catullus 51-63, 65
Prefatory Note to Prepositions (revised 4 Sept.)
Found
Objects (1962-1926) [Prep]
1962
16
Once Published.
Edinburgh, Scotland: Wild Hawthorn Press (Sept.).
“An Old Note on WCW,” The Massachusetts Review 3.2 (Winter):
301-302.
“A”-13, partita iv & v, Origin 4, second series (Jan.): 53-64.
“Daruma,” The Nation 194.5 (3 Feb.): 103.
Catullus 16 (with CZ), Trobar 4 (Feb.): 4.
Catullus 4, 5, 9, 10-14, 15 (with
CZ), Origin 5, second series
(April): 20-27.
Little
Baron Snorck;
“Translating Catullus”; 3 Carmina & 3 Cats [41, 42 & 63, with
Catullus’ Latin] (with CZ), Kulchur
5 (Spring): 3-19, 47-53.
Arise,
Arise, Kulchur 6 (Summer): 66-100.
Catullus 17, 21, 23-25, 27-38
(with CZ), Origin 6, second series
(July): 50-64.
“The Ways”; “Pretty,” Burning Deck 1 (Fall): 44-45.
“4 Other Countries,” The Texas Quarterly 5.3 (Autumn):
113-126 [with drawings by Cyril Satorsky, who did the artwork for Bottom].
5
Statements for Poetry
(“Foreword”; “Program: ‘Objectivists’ 1931”; “Sincerity and Objectification”;
“‘Recencies’ in Poetry”), Kulchur 7
(Autumn): 63-84.
Catullus 39, 40, 44, 46-48 (with
CZ), Origin 7, second series
(Oct.): 62-64.
“Atque in Perpetuum
A.W.,” Poetry 101.1 & 2
(Oct.-Nov.): 143.
Two Poems [“Her Face the
Book of—Love Delights in—Praises“; Catullus
VIII (1939 version)], National Review
8.20 (20 Nov.): 394.
5
Statements for Poetry, Cont’d (“Poetry / For My Son When He Can Read”), Kulchur 8 (Winter): 75-86 [with music by PZ for “Songs of
Degrees” 1, 2, entitled “Variants”: 31-39].
“You who were made for
this music” (from Barely and widely).
Anthologie des Poètes Américains,
ed. Jacques
Cardonnet. Paris: La Revue Moderne.
1963
Finally a Valentine (9
Feb.) [AI’s]
Beginning Again with
William Carlos Williams (revised 10 April) [Prep]
“A”-17 (12-13 March)
“A”-16 (23 May)
“A”-20 (30 Oct.)
After Reading (15 Dec.) [AI’s]
Catullus 66-69
1963
I’s
(pronounced eyes).
NY: Trobar Press (May).
Bottom:
on Shakespeare.
Austin, TX: Ark Press, U of Texas (Sept.).
Catullus 49-54a, 57, correct
version of 39 (with CZ), Origin 8,
second series (Jan.): 29-31, 64.
“The Old Poet Moves to a
New Apartment 14 Times,” Poetry
101.6 (March): 373-382.
Catullus 55, 58-60 (with CZ), Origin 9, second series (April):
63-64.
“The / desire / of /
towing,” Poor.Old.Tired.Horse 6
(May): [2].
5
Statements for Poetry, Cont. (“A Statement for Poetry (1950)”), Kulchur 10 (Summer): 49-53.
“Poem 29” from Anew [“Glad they were there”], Cleft 1.1 (June): 35.
Catullus 56, 45 (with CZ), Origin 10, second series (July):
63-64.
Statement on Prepositions [included in Notes on
Contributors]; “Ezra Pound: His Cantos (1-27),” Kulchur 11 (Autumn): 3, 39-56.
Catullus 62 (with CZ), Origin 11, second series (Oct.):
61-64.
“A”-17: A Coronal, Poetry 103.1 & 2 (Oct.-Nov.):
124-137.
3 Poems from Barely and widely [“Send regards to
Ida the bitch”; “Another Ashtray”; “Head Lines”]; from a 11 Aug. 1951 letter,
Blue Grass 2 (Winter): 12-13.
“tam cari capitis”; “Song
Theme”; “Some one said, ‘earth’”; “The silence of the good that you were
wrought of.” A Dial Miscellany, ed.
William Wasserstrom. Syracuse, NY: Syracuse UP. 332-333.
“It’s a gay li-ife,” “che
di lor suona,” No it was no dream of coming death,” “An Incident.”
English with Italian translations by Carlo Izzo. Poesia Americana del ‘900,
ed. Carlo Izzo. Parma: Ugo Guanda.
1964
Catullus 70-80
The Translation (1 Feb.)
[AI’s]
“A”-14 (13 Aug.-14 Sept.)
“A”-15 (3 Oct.-1 Dec.)
“The Form” of “A”-9
(revised 9 Dec.) [from First Half of
“A”-9, translated into German for 1966 edn. of “A”-9]
“A”-18 (begun 26 Dec.)
“A”
Libretto
(excerpts compiled 29 Oct.)
1964
Found
Objects 1962-1926.
Georgetown, KY: H.B. Chapin (April).
After
I’s.
Pittsburgh, PA: Boxwood Press/Mother Press (Sept.).
A
Test of Poetry
[2nd US edn.]. NY: Jargon/Corinth Books (Dec.).
Catullus 63: Attis (with CZ), Origin 12, second series (Jan.):
60-63.
“Preface (1962)” (from Found Objects); “Song 28,” Wild Dog 1.5 (Jan.): 1-4.
A version from “A”-13, The Review 10 (Jan.).
“Poem 33 (1939) from Anew,” Granta 68.1234 (7 March): 5.
Catullus 65 (with CZ), Origin 13, second series (April): 35.
Catullus 22 & 26 [with Latin
originals] (with CZ), The Resuscitator
2 (April): 8-11.
“A”-11, Helicon 3.1 (Spring): 16-17.
“After reading, a song,” Joglars 1.1 (Spring): 39.
“A”-16, Origin 14, second series (July): [back
cover].
Catullus 70, 72 & 73 [with
Latin originals] (with CZ), Paris
Review 32 (Summer-Fall): 74-75.
“Poem 21” (from Anew), Lines 1 (Sept.): 1.
Catullus 66 (with CZ), The Resuscitator 3 (Sept.): 10-13.
“Versions of Catullus”
(Quod mihi fortuna, with CZ) [Catullus
68, 68a], Poetry 105.3 (Dec.):
155-160.
From “A”-6; “For Zadkine
(Anew 25); Anew 7 & 16; “A”-7; “A”-11; from “A”-12; “Songs of Degrees” 1
& 2; “The Guests” (from Some Time);
from “4 Other Countries” [I: “The birds of / Périgueaux” to “To perfect
/ makes / practice” (174-175), II: “That song / is the kiss” to “Of the /
Triumphant God” (180-182), III: “Rome is a low / city” to “In the ground / of
the overhead cloister / to look / also” (187-194)]; from Bottom: on Shakespeare [a mosaic of short quotations from Bottom and others, such as Robert
Duncan and Marshall McLuhan, by Tomlinson]; from undated LZ letter, Agenda 3.6 (Dec.): 7-35 [LZ issue, ed.
Charles Tomlinson].
“Finally a Valentine.” Of Poetry and Power: Poems Occasioned by the Presidency and by the
Death of John F. Kennedy, eds. Erwin A Glikes & Paul Schwaber. NY:
Basic Books. 129.
1965
Pronounced Golgonoozà (25
Feb.) [Prep]
Catullus 81-116 and fragmenta
(completed 19 Oct.)
Catullus 64 (begun)
Henry Adams (final
revision 7 April) [Prep]
Prefatory Note to Prepositions (revised)
1965
Finally
a Valentine.
Stroud, UK: Piccolo Press (1 Jan.) [limited ed. card].
ALL:
The Collected Short Poems 1923-1958. NY: W.W. Norton (April).
An
Unearthing.
Cambridge, MA: Adams House and Lowell House Printers (May) [limited ed.].
I
Sent Thee Late.
Cambridge, MA: LHS (June) [limited ed.].
“On Basil Bunting”:
“‘London or Troy? Adest’ (1930) a review of Redimiculum Matellarum”; from Bottom:
on Shakespeare; two quotations on Basil Bunting from poems by Louis
Zukofsky [“…Dear whilom friend champing with the bad teeth of Rudaki” (from
“A”-13 i) and “With a Capital P” (“Michtam” 3), King Ida’s Watch Chain: A Moving Anthology: Link One: Basil
Bunting issue, ed. Tom Pickard [looseleaf assemblage].
“Poem beginning ‘The’”;
“So that even a lover”; “Chloride of Lime and Charcoal”; “The Guests”; “This
is after all vacation”; “You who were made for this music”; “The green leaf”;
“Peri Poietikes”; “A”-11. A Controversy
of Poets, eds. Robert Kelly & Paris Leary. Garden City, NY: Doubleday
Anchor. 504-522.
ALL:
The Collected Poems 1956-1964 [English edn.]. London: Jonathan Cape (Oct.).
Little
A Fragment for Careenagers. San Francisco: Black Sparrow Press (Dec.) [limited ed.].
Catullus 83, 87, 107, 109 (with
CZ), The Journal of Creative Behavior
1.2 (Spring).
“A” Cantata 13 v, The Journal of Creative Behavior, Poetry
Supplement, 1.3 (July); 20-21.
“Song,” The New York Times (3 Aug.): 32
[passage from “A”-21.499.15-500.5].
“A”-18, Poetry 110.5 (Aug.): 281-303.
“A”-19, Poetry 111.2 (Nov.): 82-111.
“A”-13, partita iii. The New Writing in the U.S.A., ed.
Donald Allen & Robert Creeley. Harmondsworth, UK: Penguin.
From “All of December
Toward New Year’s” [2], 1968 Peace
Calendar & Appointment Book: Out of the War Shadow: An Anthology of
Current Poety, ed. Denise Levertov. NY: War Resisters League. [week of
Dec. 2].
Interview (conducted by
L.S. Dembo, 16 May) [Prep+]
L.Z.
Masque
[“A”-24] (revised by CZ beginning 17 Sept.)
Little, chapter 10 (completed),
chapters 11-27
1968
Prepositions:
The Collected Critical Essays of Louis Zukofsky [U.S. edn.]. NY: Horizon
Press (March).
From
Thanks to the Dictionary.
Buffalo, NY: The Galley Upstairs (March) [broadside].
Ferdinand/
including It Was.
London: Jonathan Cape; NY: Grossman Publ. (Nov.).
From Bottom: on Shakespeare [“St. Thomas”; “Crashaw”; “Art is to see”;
“Plato”], Origin 8, third series
(Jan.): 18.
Catullus 38. Caterpiller 3/4 (April-July): 93 [in a Test of Translation].
“Preface” & “Young
David” (from “Thanks to the Dictionary”), Monks
Pond 2 (Summer): 1-2.
From “A”-21, Acts I &
II, Poetry 112.5 (Aug.): 297-322.
From “A”-21, Act III, Poetry 112.6 (Sept.): 402-417.
“Julia’s Wild” [from Bottom] (with translation into
Portuguese by Augusto de Campos), Artes
Hispanicas 1.3 & 4 (Winter-Spring): 219-220 [concrete poetry issue,
ed. de Campos].
From “A”-15. The American Literary Anthology 1, ed.
Peter Ardery and George Plimpton. NY: Farrar, Straus & Giroux. 429-436.
Catullus 60 (with CZ). the silent Zero, in search of Sound: An
Anthology of Chinese Poems from the Beginning Through the Sixth Century,
ed. Eric Sackheim. NY: Grossman. 155.
“Julia’s Wild” [with Portuguese translation by Augusto de
Campos]. Concrete Poetry: A World View. Introduced by Mary Ellen Solt
and ed. with Willis Barnstone. Indiana UP. 219-220.
1969
Little, chapters 28-35
(completed 28 July)
L.Z.
Masque
[“A”-24] (completed by CZ, 27 Sept.)
To Daryl Hine for Nov.
1969 Poetry for Henry Rago [unpubl.
note, qtd. Scroggins Bio 427-428]
“An Incident.” Texas Times (University of Texas,
Austin) (Nov.-Dec.): 10
“A”-18. The American Literary Anthology 2,
eds. George Plimpton and Peter Ardery. NY: Random House. 389-408.
“Buoy—no, how,” “(Awake!)
Propped on the earth,” “Tall and singularly dark,” “Passing tall,” “A”—First
Movement. A Return to Pagany: The
History, Correspondence and Selections form a Little Magazine, 1929-1932.
Eds. Stephen Halpert & Richard Johns. Boston: Beacon Press. 254-255,
460-464.
1970
“A”-22 (begun 14 Feb.;
“AN ERA” dated 24 Feb.; Initial
written same year)
Introduction to reading
from Little on WNYC-FM Radio (15
Sept.) [“With Little/For Careenagers”
in Prep exp ed.]
About the Gas Age
(corrected 23 Sept., 30 Dec.) [Prep exp
ed.]
Foreword to “A” 1-12 (revised)
1970
Autobiography. NY: Grossman Publ.
An
Era. Santa
Barbara, CA: Unicorn Press (May) [postcard].
Initial. NY: Phoenix Book Shop
(Christmas) [limited ed.].
Little
/ for careenagers.
NY: Grossman Publ.
From Bottom: on Shakespeare, Workshop
No. Nine (April): 9-10.
“Cars Once Steel and
Green, Now Old,” “It’s Hard to See but Think of a Sea,” “I Walk in the Old
Street,” “The Lines of This New Song Are Nothing,” “The Green Leaf That Will
Outlast the Winter,” “Non Ti Fidar,” “Reading and Talking,” from “A” (“A”-4
& -11). The Voice That Is Great
Within Us: American Poetry of the Twentieth Century, ed. Hayden Carruth.
NY: Bantam. 249-258.
From “A”-13 partita I;
from “A”-14 beginning An; Light 1;
Anew 12, Inside Outer Space: New Poems
of the Space Age, ed. Robert Vas Dias. Garden City, NY: Anchor/Doubleday.
361-369.
“Poem beginning ‘The’.” Possibilities of Poetry: An Anthology
of American Contemporaries, ed. Richard Kostelanetz. Dell Publ. 140-151.
“American Poetry 1920-1930,” The Plastic Age (1917-1930), ed.
Robert Sklar. NY: George Braziller. 166-178.
“Song” [excerpt from
“A”-21]. New York Times Book of Verse, ed. Thomas Lask. NY: Macmillan.
66.
From “Ezra Pound (1929)”
and “American Poetry 1920-1930 (1930).” Ezra Pound: A Critical Anthology,
ed. J.P. Sullivan. Harmondsworth: Penguin, 1970. 113-114.
1971
Wallace Stevens Memorial
Lecture (taped 29 April, revised 3 Aug.) [“For Wallace Stevens” in Prep
exp ed.]
From Barely and widely [“Barely / and / widely,”
#1 “This is after all vacation,” #2 “You who were made for this music,” #5
“The Heights,” #7 “Stratford-on-Avon 1957,” #11 “Headlines”]. The East
Side Scene: American Poetry, 1960-1965, ed. Allen De Loach. Garden City,
NY: Doubleday (Anchor Books). 303-308.
“The ‘Objectivist’ Poet”
[interview]. The Contemporary Writer: Interviews with Sixteen Novelists
and Poets, eds. L.S. Dembo and Cyrena N. Pondrom. Madison: U of Wisconsin
P [Rpt. 1969 interview in Contemporary Literature].
1973
“A”-22 (completed 14
April)
“A”-23 (begun 13 April)
1973
Arise,
arise. NY:
Grossman Publ.
“The Iyyob Translation
from ‘A’-15.” Alcheringa 5
(Spring-Summer): 3-4.
[Reply to]
Questionnaire on Rhythm: from America. Agenda
11.2 & 3 (Spring/Summer): 66.
from “A”-22 [“AN ERA” to
“Nature says, this wet, vine” 508-527], Poetry
122 (July): 215-234.
Mirror Canon of “Glad
they were there.” Counter/Measures
2: 8-9.
“A”-4; “A Sea”; “Julia’s
Wild”; “Songs of Degrees 5.” America a
Prophecy, eds. Jerome Rothenberg & George Quasha. NY: Random House.
347-350, 432-433, 553-554.
“A Statement for Poetry.”
The Poetics of the New American Poetry,
eds. Donald Allen & Warren Tallman. NY: Grove Press. 142-146.
“Tall and singularly dark
you pass among the breakers,” “Ask of the sun,” “In Arizona,’ “For you I have
emptied the meaning,” Catullus viii” [“Miserable Catullus”], “Light” 2 &
4. The Norton Anthology of Modern
Poetry, eds. Richard Ellmann & Robert O’Clair. NY: Norton. 657-661.
“A”-15. Open Poetry: Four Anthologies of Expanded Poems,
eds. Ronald Gross & George Quasha. Simon and Schuster. 231-242.
“It’s Hard to See But Think of a Sea,” “To My Washstand.” Shake
the Kaleidoscope: A New Anthology of Modern Poetry, ed. Milton Klonsky.
Simon & Schuster (Pocket Books). 205-208.
1974
“A”-23 (completed 21
Sept.)
80
Flowers,
Epigraph (27-29 Dec.)
1974
from “A”-22 [“Centuries
(place) telescope Sun” to end 527-535], Poetry
124.1 (April): 35-44.
“Addenda to Prepositions: The Collected Critical
Essays” [“For Wallace Stevens”; “With Little for careenagers”; “About The Gas Age”]. Journal of Modern Literature 4.1 (Sept.): 91-108.
“All of December Toward
New Year”; “Reading and Talking,” Contemporary
Poetry: A Retrospective from the Quarterly Review of Literature, eds. T.
Weiss and Renée Weiss. Princeton UP. 176-179.
“Two Songs” [“It’s a gay
li-fe,” “No One Inn”], from “Poem beginning ‘The’” [Fifth movement], “Song
22, To My Wash-Stand,” “Mantis,” “’Mantis,’ An Interpretation,” “A”-1, from Autobiography #36 [“Strange to reach
that age”; with CZ’s musical score]. Revolution
of the Word: A New Gathering of American Avant Garde Poetry 1914-1945,
ed. Jerome Rothenberg. NY: Seabury Press. 239-259.
“The Iyyob Translation
from ‘A’-15”; from Bottom: on
Shakespeare; from “A”-12; “Her face the book of—love delights
in—praises.” A Big Jewish Book, ed.
Jerome Rothenberg. Garden City, NY: Anchor/Doubleday. 167-168, 188-189,
350-355, 561-562.
Dates of
composition that appear in parentheses indicate dates on manuscripts listed in
Booth or Henderson, who have catalogued the complete LZ manuscript collection
at the Humanities Research Center at the University of Texas at Austin as of
1987. Virtually all LZ’s manuscripts (he never typed) are carefully dated,
either at the time of composition or retrospectively, which allows us to
construct a quite accurate chronology. However, although it appears these
manuscript dates usually indicate the completion date of original versions, it
is often not possible to be certain about this and these precise dates should
be taken with caution. Specific dates of composition for 80 Flowers are taken from Leggott (364-368), whose chart should be
consulted for the dates of individual poems in that volume.
There are
a number of apparent typographical errors or mistranscriptions in Booth, which
I note below:
Booth C51 Aubade, 1929
Title should be Aubade, 1925 (Henderson)
Booth C73 Checkers, Checkmate and checkerboard
Date
29nov32 the year should be 33 (CZ)
Booth C92 (For a Thing by Each)
Title should be Bach for Each (Henderson)
Booth C103 Has the sum
Date
5dec58 the year should be 38
Booth C104 Head Lines
Date
13jul58; Niedecker’s copy has 13aug58 (Henderson)
Booth C102 It’s a gay li – ife
Date
26May36 the year should be 32 (CZ)
Booth C164 Prop. LXI
Date
16apr30 the year should be 31 (CZ)
[LZ
sent this poem to WCW in a letter dated 16 April 1931, and mentions it in a 25
April 1931 letter to EP]
Booth C178e William Carlos Williams alive!
Date
3aug54 the day should be 30/31
[LZ
sent this poem to WCW in a 31 Aug. 1954 letter clearly indicating he had just
written it]