Journals
and Publishers of LZ
List of Journals and Small Presses
Bibliography and Note on LZ’s publications in Poetry (Chicago)
A Note on LZ’s Journal and Other Publications
Like most
poets of his time, LZ relied heavily on journal publications to reach readers
throughout most of his life, and it was not until 1965, when he was 61 years
old, that he had his first book brought out by a commercial publisher with
significant distribution. Across his entire career, the single most important
journal venue for his work was Poetry
magazine, on which there is a separate note below. LZ began publishing in
student literary journals soon after he entered Columbia University, when he
was just 16, and he continued to contribute regularly to these and a few mostly
NYC based journals throughout his student days, with the most significant
appearance a sonnet in Poetry in
1924. As all biographical notes indicate, LZ’s major break came with the
publication of “Poem beginning ‘The’” in EP’s Exile 3 (1928), which began the period of his most intense
involvement with little magazines over the next five years. While he made brief
appearances in the some of the most prominent journals of the time—The Dial, The Criterion and transition—he
was a regular contributor to particularly two journals: Blues (1929-1930), edited by Charles Henri Ford & Parker Tyler,
and Pagany (1930-1932), edited by
Richard Johns. As the economics of the Depression increasingly squeezed the
little magazine market, LZ’s journal publications in the later 1930s gradually
trailed off to virtually nothing, although he was also concentrating at that
time on much larger projects, particularly “A”,
which usually he managed to see into print fairly promptly. In many respects
the 1940s and 1950s were the most difficult period for LZ to get into print,
both because of the relative paucity of little magazines and the entrenchment
of a conservative modernism, represented above all by the preeminence of T.S.
Eliot as both poet and critic. However, in the mid-1950s Robert Creeley, who
credited Robert Duncan for introducing him to LZ’s work, sought out work for Black Mountain Review beginning in 1955,
which effectively marks the discovery of LZ by a younger generation who become
known as the New American Poets. Cid Corman followed up his publication of “A” 1-12 (1959) and It Was (1961) by Origin Press, by featuring LZ in the second series
of Origin magazine from 1961-1964,
with work appearing in every one of the 14 issues. Meanwhile, at the
instigation of Gilbert Sorrentino, Kulchur
was reprinting LZ’s most important critical writings, as well as publishing
important earlier prose that had gone unpublished: “Modern Times,” Arise, Arise and the initial version of
what became the novel Little.
Throughout the 1960s and into the early 1970s, LZ appeared in numerous, often
obscure little magazines as he was sought out by young poets, to whom he
appears to have responded generously. However, aside from Origin and Kulchur in the
early 1960s, he reserves his major works, particularly the movements of “A”, for Poetry. Also during this period, no doubt in large part due to the
enthusiasm of this younger generation of poets, LZ saw the rapid appearance of
almost all of his work, both old and new, by commercial publishers. W.W. Norton
brought out his collected short poems as ALL
in two volumes (1965 & 1966), “A”
1-12 was reprinted by Jonathan Cape (U.K, 1966) and Doubleday (U.S., 1967),
Prepositions appeared from Rapp &
Carroll (U.K., 1957) and Horizen (U.S., 1968), and then from 1968-1975
Grossman/Jonathan Cape would bring virtually all the rest of LZ’s work into
print in very attractive editions: Ferdinand
(1968), Catullus (1969), “A” 13-21 (1969), Autobiography (1970), Little
(1970), “A”-24 (1972), Arise, Arise (1973) and “A” 22-23 (1975). Finally, LZ was able
to correct the proofs for the collected volume of “A”, which appeared from the University of California Press the
same year as his death in 1978.
List
of Journals and Small Presses
The
following list gives basic notes on the little magazines and presses that
published LZ to give some idea of the networks in which he operated. However,
my resources are limited, so this list is very incomplete and additions would
be appreciated.
Accent:
A Quarterly of New Literature (Urbana, IL). Autumn 1940-Autumn 1960 (20 volumes). Journal of
the creative writing program of the University of Illinois.
Agenda (UK). Ed. William Cookson (1940-2003), 1959- .
Poetry journal begun with Pound’s instigation.
The
Albuquerque Review
(Albuquerque, NM). Ed. N.R. Palmer, June 1961-July 1962. A weekly newspaper.
LZ’s contribution in Dec. 1961 was solicited by Robert Creeley, who was
visiting lecture at the University of New Mexico in Albuquerque during the
1961-1962 academic year.
Alcheringa. Eds. Dennis Tedlock & Jerome Rothenberg,
Fall 1970-1980 (13 issues).
The
Ark II/Moby I (San Francisco). Eds. Michael
McClure and James Harmon, 1956-1957 (1 issue).
The
Ark III (San
Francisco). Ed. James Harmon, Winter 1957 (1 issue).
Artes
Hispanicas/Hispanic Arts
(Indiana U, Bloomington). Ed. Willis Barnstone.
The
Beloit Poetry Journal
(Beloit College, Wisconsin). Ed. David Ignatow, Fall 1952-Fall/Winter 1958.
Black
Mountain Review
(Black Mt., North Carolina). Ed. Robert Creeley, Spring 1954-Autumn 1957 (7
issues).
Black Sparrow Press (Los Angles, Santa Barbara
and Santa Rosa). Publ. John Martin. Published Little / A Fragment for Careenagers (1967) and CZ’s A Bibliography of LZ (1969).
Blue
Grass
(Georgetown, Kentucky). Ed. H.B. Chapin. Also a press which published Found Objects (1964).
Blues:
A Magazine of New Rhythms
(Columbus, Miss.). Ed. Charles Henri Ford with Parker Tyler (WCW contributing
editor), Feb. 1929-Fall 1930 (9 issues).
Botteghe
Oscure (Rome,
Italy). Ed. Marguerite Caetani, Spring 1948-Autumn 1960.
Boxwood Press/Mother Press (Pittsburgh,
Pennsylvania). Publ. Ralph and Mildred Buchsbaum (Boxwood) and Ron Caplan
(Mother), 1952- . Published After I’s
(1964).
Bozart-Westminster (Oglethorpe University, Georgia), see Westminster Magazine.
Burning
Deck (Ann
Arbor, Michigan and Durham, Connecticut). Eds. James Camp, D.C. Hope &
Bernard Waldrop, 1962-1965 (4 issues).
Calendar (NYC). Ed. Norman MacLeod, 1940-1942 (annual
anthology, 3 issues). Published by The Press of James A. Decker, Prairie City,
Illinois (see below). Sponsored by the Poetry Center of the New York YMHA,
directed by Norman MacLeod; LZ read or participated in panel discussions at the
Poetry Center on at least a couple of occasions.
Cape Goliard (London). Ed. Nathaniel Tarn.
Goliard Press edited by Barry Hall and Tom Raworth was founded in 1961 and
absorbed by Jonathan Cape to become Cape Goliard in 1967, with Nathaniel Tarn
as General Editor until 1969. Published English edition of Catullus (1969).
Caterpiller. Ed. Clayton Eshleman. 1967-1973 (20 issues).
Cleft:
A University Quarterly
(Edinburgh, UK). Ed. Bill McArthur.
The
Columbia Review
(NYC). Columbia University student literary journal that continued what had
previously been The Morningside under
the supervision of John Erskine; renamed in 1932 and overseen by Mark van Doren
and Lionel Trilling throughout the 1930s and 1940s.
Combustion (Toronto, Canada). Ed. Raymond H. Souster, Jan.
1957-1966 (15 issues).
Contact (NY). Eds. William Carlos Williams with Robert
McAlmon & Nathanael West, Feb.-Oct. 1932 (3 issues). Originally WCW and
McAlmon edited Contact from Dec.
1920-July 1923 (5 issues).
Contempo:
A Review of Books and Personalities (Chapel Hill, North Carolina). Eds. Milton Avant Abernethy
(1931-1934), Anthony J. Buttitta (1931-March 1932), Minna K. Abernethy (Fall
1932-1934), 31 May 1931-15 Feb. 1934.
Corinth Books (Eighth St. Bookshop, NYC). Eds.
Ted & Eli Wilentz. 1959-1973. Published four books in conjunction with
Jargon Society including the reprint of A
Test of Poetry (1964).
Counter/Measures (Bedford, MA).
The
Criterion
(London). Ed. T.S. Eliot, Oct. 1922-Jan. 1939.
Cronos (Columbus, Ohio). Ed. Richard Wirtz Emerson,
Spring 1947-March 1948. This journal continued Norman MacLeod’s Briarcliff Quarterly (see Maryland Quarterly).
Damascus
Road
(Allentown & Wesconville, PA). Ed. Charles Shahoud Hanna, 1961-1978 (7
issues).
Decker Press [The Press of James A. Decker]
(Prairie City, Illinois). Publ. James A. Decker, 1937-1947. Published 55 Poems (1941) and Anew (1946), as well as Lorine Niedecker’s New Goose (1946).
The
Dial (NY).
Eds. Marianne Moore & James Sibley Watson, Jr. (June 1925-July 1929), Jan.
1920-July 1929.
Échanges (Paris). Ed. Allanah Harper. 1929-1931 (5
issues).
El
Corno Emplumado
(Mexico City) Eds. Margaret Randall and Sergio Mondragon, (Jan. 1962-Oct.
1968), Jan. 1962-July 1969 (31 issues).
The
Exile
(Rapallo, Italy; publ. Pascal Covici, Chicago). Ed. Ezra Pound, Spring
1927-Autumn 1928 (4 issues).
Fifth
Floor Window (NY).
Ed. Harvey N. Foster.
Folio (Indiana U). Ed. Clayton Eshleman. Student
literary journal for Indiana U.
The
Forum (NY).
1886-1930.
Front (The Hague, Netherlands). Ed. Norman MacLeod
(American representative), Dec. 1930-June 1931 (4 issues). Trilingual journal.
The
Galley Sail Review
(San Francisco, CA). Ed. Stanley McNail, Winter 1958-1970/71 (22 issues).
The
Golden Goose
(Columbus, Ohio). Eds. Richard W. Emerson and Frederick Eckman, Summer
1948-Summer 1949 (1st series). This journal continued from Cronos.
Granata (Cambridge, England). Founded in 1889 as a
student periodical and continuing into the 1970s. The current publication is a
relaunched independent version focusing on new writing.
Grosseteste
Review
(Bicester, Oxon., England). Eds. Tim Longville and John Riley, 1967-1984.
Grossman Publishers (NYC). Published American
editions of Ferdinand (1968), Catullus (1969), Autobiography (1970), Little (1970), “A”-24 (1972), Arise, Arise
(1973) and “A” 22 & 23 (1975).
H.B. Chapin (Georgetown, Kentucky). Published Found Objects (1964).
Helicon (Long Island University, Brooklyn campus, NYC).
Undergraduate literary magazine, 1963-1971.
Hound
& Horn (Boston
& Portland, Maine). Eds. Lincoln Kirstein & Varian Fry; R.P. Blackmur
(1928-1930), Bernard Bandler (1929-?), A. Hyatt Major (1931-1932), Allan Tate
(1932-1934), Yvor Winters (1932-1934), Sept. 1927-July/Sept. 1934 (7 volumes).
Il
Mare
(Rapallo, Italy). Local weekly newspaper, Ezra Pound was a contributing editor
to the literary supplement.
L’Indice (Genoa, Italy). Literary magazine.
IMAGI (Allentown, PA & Baltimore). Ed. Thomas Cole. 1947-1956.
Island (Toronto, Canada). Ed. Fred Wah, Sept.
1964-1966 (8 issues).
The Jargon Society (Highlands, North Carolina).
Publ. Jonathan Williams, 1951- . Published Some
Time (1956) and, with Corinth Books, A
Test of Poetry, 2nd edn. (1964)
Joglars (Cambridge, Mass. And Providence, RI). Ed.
Clark Coolidge and Michael Palmer, 1964 & 1966 (3 issues).
Jonathan Cape (London). Publ. & Senior
Editor Jonathan Cape, 1921-1960; Tom Maschler 1960-? (absorbed by Random House
in 1987). Published English editions of All:
The Collected Poems 1923-1958 (1966), All:
The Collected Poems 1956-1964 (1967) Ferdinand/including
It Was (1968), and “A” 13-21
(1969).
Jonathan Williams, Publisher. See Jargon
Society.
The
Journal of Creative Behavior (Buffalo, NY). Ed. David Posner.
King
Ida’s Watch Chain
(Newcastle-upon-Tyne, England). Ed. Tom Pickard (1 issue on Basil Bunting).
Kulchur (NYC), Eds. Marc Schleifer (Spring 1960-Summer
1962), Lita Hornick (Summer 1962- ), Gilbert Sorrentino (1961-Summer 1963) and
others, Spring 1960-Winter 1965/66 (20 issues). Founded as a “vanguard magazine
devoted principally to Criticism and Commentary.”
The
Lavender (City
College, NYC). Student publication.
Left:
A Quarterly Review of Radical and Experimental Art (Davenport, Iowa). Ed. Jay DuVon, 1931 (2 issues).
Les Presses Modernes (Paris).
Lines (NYC). Ed. Aram Saroyan, Sept. 1964-Nov. 1965
(6 issues).
The
Lion & Crown
(Columbia University, NY). Ed. James Leippert. Fall 1932-Jan. 1933? (2 issues).
Maryland
Quarterly
(University of Maryland, English Dept., College Park, MD). Eds. various, 1944
(3 issues). This journal subsequently became the Briarcliff Quarterly when MacLeod moved to Briarcliff Community
College 1945-1947.
The
Massachusetts Review
(U of Massachusetts, Amherst). Eds. F.C. Ellert (Oct. 1959-Summer 1963) and
Sidney Kaplan (Spring 1961-Summer 1963).
Monks
Pond. Ed.
Thomas Merton, Spring-Winter 1968 (4 issues).
Montevallo
Review
(Montevallo, AL). Ed. Robert Payne, 1950-1953.
Morada. Ed. Norman Macleod (Albuquerque, NM), first
five issues 1929-1930. Eds. Norman Macleod (NYC) and Donal McKenzie (Laga de
Garda, Italy) as tri-lingual journal. 1931.
The
Morningside
(Columbia University, NY). The heir of various student literary journals at
Columbia University throughout the 19th century, the publication came out as a
poetry journal under this title in 1898 with John Erskine as chief editor, who
continued to oversee it through the 1920s. Both Whittaker Chambers and Meyer
Schapiro served as editors. The name derived from the fact that Columbia was
located on Morningside Heights in upper west-side Manhattan. The journal became
the Columbia Review in 1932.
Nativity (Delaware, Ohio). Ed. Boris J. Israel (aka
Baline Owen). Winter 1930-Spring 1931 (2 issues).
Neon (Brooklyn, NY). Ed. Gilbert Sorrentino, 1956-1960
(4 issues and 2 supplements).
New
Directions in Prose and Poetry (Norfolk, CT & NYC). Ed. James Laughlin, annual 1936-1991.
New
Masses (NYC).
Eds. Mike Gold and John Sloan, May 1926-March 1948 (began as monthly and became
weekly in Jan. 1934. Although Mike Gold was listed as editor throughout, he in
fact did not exercise much editorial control, which devolved to a frequently
shifting editorial board, members of whom included at various times Stanley
Burnshaw (1934-1936), Joseph Freeman (1936-1937), Joshua Kunitz, Herman
Michelson, Joseph North, Loren Miller, Granville Hicks and F.W. Dupree.
New
Mexico Quarterly
(University of New Mexico, Albuquerque, NM). 1931-1969.
The
New Review
(Fontenay-aux-Roses, Seine, France). Eds, Samual Putnam and Richard Thoma. Jan.
1931-April 1932 (5 issues).
Nomad (London). Eds. Donald Factor and Anthony
Linick. (Culver City, CA), Winter 1959-Autumn 1962 (11 issues).
The Objectivist Press. See “Objectivists”
Publications.
The
Old Line
(University of Maryland, College Park, MD). This was a student literary journal
that apparently was edited or advised by Norman MacLeod at the time LZ
published in it in 1943. The following year MacLeod would continue with the Maryland Quarterly.
Origin and Origin Press. Ed. Cid Corman. Five series:
1st series (Dorchester, Mass.), 20 issues (Spring 1951-Winter 1957), 2nd series
(Kyoto, Japan), 14 issues (April 1961-July 1964), 3rd series (Kyoto, Japan), 20
issues (April 1966-1971), 4th series (Boston), 20 issues (Oct. 1977-July 1982),
5th series (Orono, Maine), 4 issues (Fall 1983-Fall 1984). Origin Press
published “A” 1-12 (1959) and It Was (1961).
Pagan:
A Magazine for Eudaemonists
(NYC). Ed. Joseph Kling. Monthly from May 1916-Jan. 1922.
Pagany (Boston & New York). Ed. Richard Johns,
Jan./March 1930-Dec/ 1932 (12 issues).
Paris
Review (Paris).
Eds. George Plimpton, Peter Matthiessen, Donald Hall, et. al, Spring 1953-1974;
Tom Clark (Poetry Editor 1964-1974). Paris Review Editions published “A” 1-12 (1966) and “A” 13-21 (1969). LZ published just once in the journal, three Catullus renditions in #32 (Summer-Fall
1964), which also included interviews with Cocteau, WCW and Picasso (which
supplied some details in “A”-18), plus two short sections from Charles Olson, Maximus Poems (which immediately
followed the Catullus) and two poems
by Lorine Niedecker.
Partisan
Review (NYC).
Eds. F.W. Dupee, Mary McCarthy, et. al., Feb./March 1934- ; Delmore Schwartz
(1943-1955).
The Phoenix Book Shop (Greenwich Village, NYC).
Propriator and publisher Robert A. Wilson, 1962-1988.
The
Philadelphia Public Ledger,
1836-1942. Daily newspaper.
The Piccolo Press (Stroud, Gloucestershire,
England).
Poetry (Chicago, Illinois). Eds. Harriet Monroe (Oct.
1912-Oct. 1936), George Dillon (Nov. 1937-Aug. 1942), Karl Shapiro (Feb.
1950-Sept. 1955), Henry Rago (Oct. 1955-June 1969), Daryl Hine (July 1969-Dec.
1977), Oct. 1912- .
Pomegranate Press (Cambridge, MA), 1972-1981.
Founded by the illustrator and designer Karyl Klopp to publish fine press
editions of poetry broadsides and small booklets.
Poor.Old.Tired.Horse (Edinburgh, UK). Ed. Ian Hamilton Finlay,
1962-1968 (25 issues).
The
Pound Newsletter
(U of California, Berkeley). Eds. John Edwards & William Vasse (10 issues).
Quarterly
Review of Literature
(Bard College, NY: 1947-1968). Eds. Theodore Weiss (Winter 1944- ) and Renée
Weiss (1946- ).
The
Resuscitator
(Somerset and Cambridge, UK). Eds. John James, C.I. McNeill and Nick Wayte,
Autumn 1963-Jan. 1969.
The Review (UK). Eds. Ian Hamilton, Michael Fried, John Fuller and Colin
Falck. 1962-1972 (30 numbers). LZ’s publication of a section from “A”-13 in #10
(1964) was part of a Black Mountain Poetry feature edited by Charles Tomlinson.
Rhythmus (NYC). Ed. Gustav Davidson, Jan. 1923-June
1924.
Riata (Austin, Texas). Student publication at the U of Texas at Austin.
San
Francisco Review.
Eds. George Hitchcock, June Oppen Degnan & Roy Miller, 1959-1962? (12
issues).
Singe (Laundering Room Press, Newcastle &
London). 1976-1977.
The Stinehour Press (Lunenburg, Vermont).
Published 80 Flowers (1978). A fine
arts press founded in 1952 by the renown printer and book designer, Roderick
Stinehour.
The
Symposium (NYC).
Eds. James Burnham and Philip E. Wheelwright, 1930-1933.
To, Publishers. See ”Objectivists”
Publications.
Tomorrow (NYC). Ed. Eileen Garnett, Sept. 1941-Aug.
1951.
Transatlantic
Review (NYC).
Summer 1959-June 1977 (60 issues). Ed. J.F. McCrindle. Gerald Malanga edited
issue #52 as “An Anthology of New American Poetry.”
transition (Paris until March 1928, then
Colombay-les-deux-Eglises, France). Ed. Eugene Jolas, April 1927-Spring 1938.
Tree (Santa Barbara, CA). Ed. David Meltzer. Winter
1970-Summer 1975 (5 issues).
Trigram Press (London). Publ. Asa & Penelope
Benveniste and Paul Vaughn, 1965-?. Published “A”22 & 23 (1977).
Trobar (Brooklyn, NY). Eds. George Economou, Joan
Kelly and Robert Kelly, 1960-1964 (5 issues). Trobar Press published I’s (pronounced eyes) (1963).
Turret Books (London). Directors Edward
Lucie-Smith, Bernard Stone & George Rapp, 1965-1975. Small press
specializing in limited edition booklets by contemporary poets. Published “A”-14 (1967) Catullus Fragmenta (1968)
Two
Worlds: A Literary Quarterly Devoted to the Increase of the Gaiety of Nations (NYC). Ed. Samuel Roth, Sept. 1925-Oct. 1927.
Contributing editors Arthur Symons, Ezra Pound, Ford Madox Hueffer.
Unicorn Press (Santa Barbara, Calif.). Director
& designers Alan Brilliant & Teo Savory, 1966-1984. Published An Era (1970).
Varsity (Columbia University, NYC). Undergraduate
magazine.
View (NYC). Ed. Charles Henri Ford, Sept. 1940-March
1947.
Voices (NY).
Wagner
Literary Magazine (Wagner
College, Staten Island, NY). Ed. Norman Black. (formerly Nimbus).
Westminster
Magazine
(Oglethorpe University, Georgia). Originally established in 1911 as a church
paper by Thornwell Jacobs, Westminster
Magazine evolved into a literary magazine and then in 1932 into a quarterly
edited by Robert England. In Spring 1935 it merged with the poetry review Bozart to become Bozart-Westminster, edited by James E. Routh. Issue 9.1/24.1
(Spring-Summer 1935) was guest edited by EP, John Drummond and T.C. Wilson, and
also including contributions by WCW and Niedecker.
Wild
Dog
(Pocatello, Idaho, Salt Lake City, Utah and SF). Eds. John Hoopes, Ed Dorn,
Drew Wagnon and others, April 1963-March 1966 (21 issues).
Wild
Hawthorn Press
(Edinburgh, UK). Founded by Ian Hamilton Finlay and Jesse McGuffie in 1961.
Published 16 Once Published (1962).
The
Windsor Quarterly.
(Hartland Four Corners, Vermont & Commonwealth College, Arkansas). Eds.
F.B. Maxham & Irene Merrill. Spring 1933-Spring 1935.
Workshop (London).
Yale
Poetry Review
(Newhaven, CT). Eds. Harvey Shapiro, Tom McMahon & Rolfe Fjelde (Shapiro
states that WCW sent him the poem the journal published in 1946).
LZ’s
Publications in Poetry (Chicago)
By far
the single most important journal that published LZ was Poetry magazine, in which he appeared over a 50 year period,
beginning with a sonnet as he turned 20 years old. Despite Harriet Monroe’s
tepid response to the “Objectivists” issue of Feb. 1931, LZ continued to place
key poems in Poetry, which unlike
little magazines paid contributors as well as being his best chance at a
national audience. When Henry Rago assumed editorship of the journal
(1955-1969), he was an enthusiastic supporter of LZ, who came to see Poetry as his preferred venue for
publishing the movements of “A”. In
all, ten movements would appear in the journal, including the complete sequence
“A” 14-22 (excluding the brief “A”-16 & -20). For a slide-show presentation
of some of LZ’s later contributions to Poetry, go here.
“Of Dying Beauty,” Poetry 23.4 (Jan. 1924): 197.
“Siren and Signal” [sequence including “’He came
also still’”; “All the stars have filled the heavens”; “Play lost banjos”;
“North River Ferry” [Ferry]; “Cars
once steel and green”; “Comes a day when the round tracts of sky”; “During
lunch hour”], Poetry 34.3 (June
1929): 146-149.
“A” (Seventh Movement); “University: Old Time”
[as Joyce Hopkins]; “Program:
‘Objectivists’ 1931”; “Sincerity and Objectification” I, II, III; Note to
Symposium by Parker Tyler and Charles Henri Ford; Translation of René Taupin,
“Three Poems by André Salmon”—I, Poetry
37.5 (Feb. 1931): 242-246, 268-285, 287-288, 289-293 [“Objectivists” issue].
“The February Number” (reply to Stanley
Burnshaw), Poetry 38.1 (April 1931):
55-57 [with Burnshaw’s letter responding to the “Objectivists” issue].
“’London or Troy?’ ‘Adest’” (review of Basil
Bunting, Redimiculum Matellarum), Poetry 38.3 (June 1931): 160-162.
“A” (Second Movement), Poetry 40.1 (April 1932): 26-29.
“Objectivists Again,” Poetry 42.2 (May 1933): 117 [letter to the editor replying to
Morris U. Schappes’ review of An
“Objectivists” Anthology in Poetry
41.6 (March 1933) with brief response by Schappes 117-118].
“Song 29,” Poetry
42.6 (Sept. 1933): 312.
“‘Mantis,’” Poetry
45.6 (March 1935): 320-321.
“A”-9 (First Half), Poetry 58.3 (June 1941): 128-130.
“1892-1941,” Poetry
59.6 (Sept. 1942): 314-315.
“Poetry in a Modern Age” (review of Vivienne
Koch, William Carlos Williams), Poetry 76.3 (June 1950): 177-180
[incorporates “An Old Note on Williams Carlos Williams’].
“The Judge and the Bird,” Poetry 85.2 (Nov. 1954): 74-76.
“The
Guests,” Poetry 87.6 (March 1956):
346-348.
“What I Come To Do Is Partial” (review of Robert
Creeley, The Whip), Poetry 92.2 (May 1958): 110-112.
Two from Barely
and widely, Poetry 92.3 (June
1958): 133-138 [“Stratford-on-Avon” & “This year”].
“Three from Gaius Valerius Catullus” (with CZ) [Catullus 1-3], Poetry 94.3 (June 1959): 148-149.
“Jaunt,” Poetry
95.5 (Feb. 1960): 296-299.
From Bottom: on Shakespeare [“Ember eves”
& “Z”], Poetry 97.3 (Dec. 1960):
141-152.
“Atque in Perpetuum A.W.,” Poetry 101.1 & 2 (Oct.-Nov. 1962): 143.
“The Old Poet Moves to a New Apartment 14
Times,” Poetry 101.6 (March 1963):
373-382.
“A”-17: A Coronal, Poetry 103.1 & 2 (Oct.-Nov. 1963): 124-137.
“Versions of Catullus” (Quod mihi fortuna, with
CZ) [Catullus 68, 68a], Poetry 105.3 (Dec. 1964): 155-160.
“A”-14; “Pronounced Golgonoozà?,” Poetry
107.1 (Oct.1965): 1-51, 65-68 [issue devoted to LZ].
“A”-15, Poetry
108.6 (Sept. 1966): 357-375.
“A”-18, Poetry
110.5 (Aug. 1967): 281-303.
“A”-19, Poetry 111.2 (Nov. 1967): 82-111.
From “A”-21, Acts I & II, Poetry 112.5 (Aug. 1968): 297-322.
From “A”-21, Act III, Poetry 112.6 (Sept. 1968): 402-417.
“Peliaco
Quondam” (with CZ) [Catullus 64],
Poetry 114.4 (July 1969): 219-233.
“Program: ‘Objectivists’ 1931,” Poetry 121.1 (Oct. 1972): 45-48
[reprinted from the Feb. 1931 “Objectivists” issue for a issue marking Poetry’s 50th year].
from “A”-22 [“AN ERA” to “Nature says, this wet,
vine” 508-527], Poetry 122 (July
1973): 215-234.
from “A”-22 [“Centuries (place) telescope Sun”
to end 527-535], Poetry 124.1 (April
1974): 35-44.
